Golden Week – celebrating the legacy of Peter Kidd, Igneus Press founder

Peter Kidd formed Igneus Press in 1989 to make a home for the poets and polymaths he’d collected, or who’d collected him. William Kemmett and artist James “Deac” De Crescentis are pictured here; composer William Bland, P.J. Laska, and Richard Martin were part of the early formation of Igneus.

dce: Pete was my guru – he would always answer my questions with complete honesty, and then give me a little tidbit to chew on later. Like this bit on agnotology (n.) – the study of deliberate, culturally-induced ignorance:

S.K.: He fought cancer for 6 years, and not just one kind. A few years before he passed away on June 12, 2020, he was undergoing radiation on his neck for thyroid cancer, which involved him laying down flat (extremely painful for him, due to the lesions in his spine caused by multiple myeloma, the primary form of cancer he was fighting) with his head pinned down underneath this mask.

The mask was made as a mold to fit the shape of his head and shoulders. Dad always had claustrophobia, and told many tales of how he spent the time in the machine under this mask ‘fighting the azuras,’ deep in meditation doing war against forces of evil.

Sophia Kidd and her father Peter Kidd

Azuras are a familiar motif throughout Pete’s writing. I was familiar with the Asuras, a class of beings in the lore of India; but Pete always spelled it with a z, connoting rocky formation azure in my mind. I love a good two-fer. So I spelled that way in my poem “constellations” as I processed my grief upon his passing:

but cosmic trajectory, surely
an Azura or two, the exact same
footprints on another plane

-dce 06.13.2020, Annandale

Pictured here is Peter, reading from Richard Martin‘s White Quartet series for a documentary we were filming shortly before Peter’s passing…We’re trying to figure out how to release the footage we have in a cogent form.

In the meantime, here’s a still image of a man in cosmic motion.

dce: I knew Pete since 1997 as an online presence. I met him in person in 2018 in Canyon, Texas. Here’s an excerpt from that tale, which can be found at debnation.com:

Peter Kidd, November 2018, Canyon, TX

Over roast chicken we discussed Bill Bland‘s poetry while his music emanated from the neighbor room. We moved on to David Starobin‘s recordings – these are snippets of Pete’s New England history. I took notes in my sketchbook during dinner conversation. Pete’s given me homework: Black Mountain College, the side-stone in a Japanese garden, so many other things. He took us into the bowels of what currently serves as Igneus Press. Several lifetimes are stacked one against the next, and my storyteller’s mind was overwhelmed with juxtapositions. “Kemmett used to say for twenty years he always kept a noose in the trunk of his car.” Pete reached out and tugged on a rope hanging from the shed’s ceiling. “Here’s mine.” 

This year we’ve registered the business, repaid the website hosting and maintenance bills, rehauled the bookshop, and engaged a fulfilment center to store all the books and fulfil orders made on our website. It’s expensive. Dad left me a little money to do this, but we’re moving through that quickly. We really want to keep the press going. Our small team is willing to do all the work out of the love in our hearts for Dad. But we can’t do this without your help.

Peter Kidd often compared poetry to gardening. A small business is like a garden. It needs to be guided, nourished, protected, directed.

A gentle reminder and plea, as well, for your support of Igneus Press, the small independent poetry press Dad established in 1989. We’ve really jazzed the place up and as a small group of volunteers, we need your support: not donations, but your patronage of the Igneus online bookshop. Order a book or two, bring them into your home, your bosom, your mind, your spirit, and allow these poems to sing out into the world through your own awareness.

Here’s Dad giving the final reading of his life, from his final set of poems.

Sophia wrote on what would have been Peter Kidd’s 74th birthday: “One year ago today, I celebrated Dad’s birthday with the Stone family in Canyon, TX, with homemade chicken soup, pulled pork and a great cake. It was an evening of bliss. Dad was feeling strong, walking around, even bouncing around like a champion. He was writing poetry again and feeling ready to move into the next best phase of his writing.

He had seven days to live.”

Mini-Contemplation 49a:

shot out of my lounger chair

at noon, today, morning after infusion

under the influence of steroids

sharing empathy with baseball players

and why it’s fun to hit all those dingers

– PETER KIDD, 25 JULY 2019

“The Sleep Of Reason” by Edwina Pendarvis, P. J. Laska, & Peter Kidd, A Review by Roger D. Hicks

The Sleep of Reason: A Collection of Poems by Edwina Pendarvis, P. J. Laska, and Peter Kidd, Igneus Press, 2019, $5

Review by Roger D. Hicks

This little book of poetry has been in the making for a short while and, since I know two of the authors, I had been eagerly anticipating its arrival in my mail box for a while.  It appeared yesterday and I quickly slammed through it which I don’t usually do with poetry.  I like to read poetry slowly, a poem or two at a time, and then return at least once or twice to reread it for better comprehension, appreciation, and respect for the poets involved.  I assure you I will do that with this little epistle at least once or twice more.  But, also out of respect for the authors, this work deserves your attention and awareness of its existence as soon as possible.  “The Sleep Of Reason” by Edwina Pendarvis, P. J. Laska, & Peter Kidd is available from Igneus Press, a small press which was founded by one of the authors, Peter Kidd, whom I do not know.  But P. J. Laska and I have been friends since the early 1970’s when we first met and he was a finalist for a National Book Award in Poetry for his collection, “D. C. Images And Other Poems”.  Laska introduced me to Edwina Pendarvis and she and I have been friends about two years although we grew up in different forks of Beaver Creek at slightly different times only a few miles apart.  

The Sleep of Reason, a Collection of Poems by Edwina Pendarvis, P.J. Laska, and Peter Kidd (front cover)

The book is entitled for an etching by Francisco Goya, the great Spanish artist which is more fully entitled “The Sleep Of Reason Produces Monsters” and is in the permanent collection of the Prado.  The etching is a metaphor for the many prices of ignorance, especially self-imposed ignorance.  It one of a series of about eighty prints which Goya produced about the “caprices” of Spanish society in his time from about 1746 to 1828.  According to Art Gallery NSW, Goya was making statements about many of the weaknesses of unthinking, uneducated, and willfully ignorant people.   Art Gallery NSW’s analysis of the piece states that Goya’s intent was to confront “…superstition, vanity and folly, as well as hypocrisy, cruelty, greed and injustice.”  I cannot think of a better analogy for discussing the lives and works of both Laska and Pendarvis.  I do not know Peter Kidd or his work well enough, at this time, to make the same statement about his life and work.  Both Laska and Pendarvis are doctoral level retired professors, native Appalachians, and have spent their lives in the effort to confront and eliminate all those same weaknesses which Francisco Goya was addressing in his etching.  When I think of the two of them, I am also reminded of a quote from Clarence Darrow which I have used on my e-mail since shortly after November 8, 2016: “I have lived my life and I have fought my battles, not against the weak and poor—but against power, injustice, and oppression.” When Laska and I met for the first time, we were both connected to Antioch Appalachia, a branch campus of Antioch University which was located in Beckley, WV, which has come to be recognized over the last forty years as having produced some of the finest, and most politically and socially active, writers in America and Appalachia.   When Pendarvis and I  physically met for the first time, we were on our way to a political protest in Huntington, WV.  This little book by Laska, Kidd, and Pendarvis continues that tradition of activism for all three of the authors.  Goya would have been proud to be associated with such work.  

The Sleep of Reason (back cover)

The book is small, only about 28 pages, but it is well worth the price of admission.  It contains eight poems by Pendarvis, seven by Laska, and eight by Kidd.  All are examples of outspoken beliefs about some or all of the character flaws which Francisco Goya was confronting in the work for which the book is named.  Pendarvis addresses the hanging of John Brown in 1859 in the poem “Farmer Brown Ascends The Gallows” and ends the poem with these powerful words: 

“He’d kept his eyes on heaven

and the hell of this world and the next.

He loved the beauty of action.

The crops he raised blossomed fire.” (Edwina Pendarvis)

Those words epitomize several of the goals of a social activist, to always keep your eyes on the prize, to always know that we must confront injustice and ignorance wherever we find it, to take actions to bring about change, and to hope in our hearts every day that our actions will “blossom fire”. 

In his poem “Almost Dead Matter Walking Bags”, Peter Kidd delivers some of his own political statements with the opening and closing words:

“a nation of self interested material/machine worshipers
forever waiting…

the Atom Bomb finger tips away
from the most sociopathic
narcissists in the world.”  (Peter Kidd)


That, my friends is a strong political statement in today’s America.  It is also a strong poetic statement in just about any other time or place.  If reading lines like those does not raise your political hackles, then you have none. 

But this little book is also loaded with what is simply just good, solid poetry intended to expand both the mind and soul of the astute reader.  In her poem “Making Salt”, Pendarvis uses Daniel Boone to make both poetic and powerful points.

“Boone, skulking his lonely way
through iron age Kentucke
found mastodon bones lying around a salt lick…

Squatting by his fire, beside
a behemoth, he poured cold
salty water into a flat pot.” (Edwina Pendarvis) 

While some readers might wish to quibble about the use of the words “by” and “beside” in the same line, very few would argue with the deft phrasing and opulent word pictures the poem conveys.

Over the last forty plus years, I have been blessed to read most of the literature which P. J. Laska has produced, much of it in the manuscript stage, and I must insist that this little book contains some of his best work over the last decade or more.  You will find this book to be pleasure and a motivator for some social action on your own part.  You can buy the book from Igneus Press or from Ecces Books, 392 Rio Altar, Green Valley, AZ 85614.  

reblogged from http://myappalachianlife.blogspot.com/2019/04/the-sleep-of-reason-by-edwina-pendarvis.html (Apr. 8, 2019)

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